John, you’re originally a percussionist. Why take up the classical guitar?
I always really liked guitar music, like Spanish Flamenco music, because the rhythms are really striking and easy to dance to. Also, my parents both listened to a lot of guitar music when I was younger, artists like John Williams, B.B. King, Jimi Hendrix, and Eric Clapton, were always on in the car. We also have an old Framus guitar in the house, so I even had access to an instrument right away.
When did you start learning to play the guitar, and how have you been finding the process so far?
I started learning in January, after seeing a post about the Grade-1-a-thon on Facebook. I decided it would be a good lockdown project and something to keep me busy! The process has been very rewarding, though I am finding the guitar a little difficult. The guitar is very different to percussion, but just as fun!
Are you getting lessons or teaching yourself?
I am getting lessons from my friend Enda Henehan. He is a great teacher, with lots of patience!
What’s the hardest thing about adjusting from drums to guitar?
They are two very different instruments and require different skills. Proper technique was definitely the hardest thing to get right. Most of the musical aspects carry over from drums to guitar, like rhythm and harmony, but the hand positions on the guitar were completely new to me. The guitar is also a lot quieter than the drums, though everyone at home is quite happy about that.
Do you have any particular practice routine?
Not really, it can be quite irregular. Usually what I do is start practicing percussion, and when I feel I need a break, I switch to guitar. I do try and practice at least once every two days though, even if it is just scales or exercises.
Who is your hero guitarist?
That is a tough question! There are many great guitarists across the genres. I have many B.B. King CDs at home that I always seem to gravitate back to. He’s an absolute virtuoso and master musician, rightfully known as the King of the Blues.
Closer to home, I’ve listened to John Feeley’s interpretations of Bach, like the Cello Suites and the Chaconne. Needless to say, it’s a very different genre with a different style. It really goes to show the broad range of genres the guitar can handle.
Do you have a “desert island” guitar album, recording or video that you’d like to share?
I really love the Blues, so a recording I’d love to share is B.B. King’s ‘Lucille’. It’s a song King dedicated to his guitar, which he always called Lucille.